You have the best-laid plans and it never goes exactly how you think. But when you sit in the seat, you end up having to do it your own way. Through the years, you’re like, “Oh, I like that, if I ever get to sit in the big chair, I’m going to try to do it like that.” I’ve gotten to work with some of my top 10, maybe the top three or four of them, between Soderbergh, the Coen brothers, and Tarantino. It was more in terms of the soldiers that we met on “Stop-Loss.” As an actor, you get to work with a lot of different directors. Reid Carolin: We were definitely dancing with convention every step of the way and knowingly so, which is always a hard dance to do, but we hoped we could add something specific in terms of giving it a little bit more soul.Ĭhan, the last time you played a veteran was “Stop-Loss.” How did that inform your interest in this opportunity?Ĭhanning Tatum: “Stop-Loss” wasn’t something we pulled from in terms of what we wanted to do.
HOW MANY STEP UP MOVIES WERE MADE MOVIE
IndieWire: There was definitely a bad studio comedy version of this movie that you seemed to actively avoid in the way this story unfolds. Over Zoom, Tatum and Carolin spoke about their filmmaking philosophy with “Dog” and why Tatum decided to give the “Magic Mike” universe one more whirl - even after he swore it off. Outside of “Dog,” the pair are currently writing a third “Magic Mike” movie and producing “Pussy Island,” the directorial debut of Tatum’s partner Zoe Kravitz. The pair were previously attached to direct “Gambit,” a project that fell apart years ago, and Tatum recently said that experience left him so bummed out he wasn’t sure about his next move.
HOW MANY STEP UP MOVIES WERE MADE FREE
The blend of silliness and military malaise suggests “K9” meets “The Last Detail,” and it’s an intriguing new chapter for Tatum and Carolin as their Free Association production company churns along.
Why Oscar-Nominated Filmmaker Hany Abu-Assad Returned to Palestine to Make His Searing 'Huda's Salon'įrom 'Nymphomaniac' to 'Shortbus,' a History of Unsimulated Sex Scenes in 32 FilmsĪ washed-up guy with PTSD, Briggs is a fascinating contradiction who wrestles with his softer side as his growing animal bond forces him to open up, even as he knows that the army expects to euthanize the animal upon its return. The process of getting the finished product to its audience.'Fresh' Star Sebastian Stan Unlocked His Character by Working with Famous Ted Bundy Expert The technical portion of filmmaking that turns raw film into finished product. All the technical matters that can be settled before shooting. This model has five parts, which we shall briefly define here: So it is important to remember that the model we are giving you here is hypothetical, if logical. Studios can't exert the same kind of authority over stars and directors that they could in the "golden era." The talent now has free agency, and is now forming its own production companies. The latter two kinds of film have slowly garnered an increasingly significant audience interest since the 1950s, when the old studio system began crumbling.įurther, the old studio model, though still present in a kind of ghostly way (MGM still exists, though it's more an oversight agency for various projects than a factory now). The most conspicuous sectors are Hollywood feature films, independent films, and foreign films. (Of course this won't stop us.) First, there are more sectors in filmmaking than there once were. Today there is actually no single way or set of ways to correctly go about making a film, so this section is in a sense nearly impossible to write. In fact, though the studios do not operate like the assembly lines they once were, those assembly lines have left a legacy to be copied or resisted, but never ignored. We have this sense because, for many years, the movies our culture produced did come largely from a single, monolithic process: the studio system. This in fact often seems predicated on the stability of the various jobs in the movies and of the division of labor and the technology. If we have considered the question at all, most of us assume that there is a standard mode of film production. So how does a film get made? What are the basic elements of making a film? This section will describe the entire movie-making process, from beginning to end.
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