In fact, she had a hand in the penning of all but one track on Touch. Key point for sticklers with strict authenticity principles: in addition to knocking the beat out of the park with an ecstatic vocal turn, Amerie gets a songwriting credit. It's just as exciting, flailing all over the place with unbound joy, and it's equally deserving of summertime omnipresence. Genius lead single "1 Thing," like "Crazy in Love," swings on a kinetic drum loop, this time courtesy of the Meters. Harrison's work on Beyoncé's "Crazy in Love," Destiny's Child's "Soldier," and Jennifer Lopez's "Get Right" made him one of the most talked-about producers around, so the time became right for Amerie to hit back. Between late 2002 and early 2005, Amerie's presence faded, while Harrison's became impossible to ignore, nearly mirroring Dallas Austin's rise with Boyz II Men, Another Bad Creation, and TLC. Blige credits but no big hits at that point. The majority of the work was handled by Rich Harrison, a young producer/songwriter with some Mary J. These were easy (and lazy) things to say, especially since the songwriting credits for Amerie's first album, All I Have, showed that the singer only had a hand in writing the one-minute outro.
She was an inauthentic fluke, apparently, and if she were to become successful, it would have more to do with low standards - and the inability to appreciate real female artists like Norah Jones and Alicia Keys. When the sweet and breezy "Why Don't We Fall in Love" came out in 2002, a lot of critics were quick to discard Amerie as another attractive puppet with a capable voice who relied on producers and slick imagery.
#Amerie 1 thing crazy in love download#
In any case … both songs turned out to be hits - a lot of Harrison’s tracks did, in fact - and one question a lot of people are asking as a result is … why can’t we just appreciate everyone’s achievements and let the past live in the past? Indeed.Purchase and download this album in a wide variety of formats depending on your needs. Upon learning this, they say Amerie went ahead and leaked ‘1 Thing’ to radio stations on her own, and because it became so popular … Columbia had to back down and let it be. This has been a recurring theme in J Lo’s music career - Fat Joe even touched on it not too long ago - but the alleged tale goes … ‘1 Thing’ was supposedly being shopped to J Lo BTS, and the Columbia label heads actually wanted it to go to her instead of Amerie. However, there’s one other element here that’s also getting some attention as it relates to Amerie and J Lo, specifically … namely, old stories/rumors that Jen was allegedly getting prioritized over labelmates/contemporaries. Amerie and J Lo, meanwhile, came out with their songs, “1 Thing” and “Get Right,” around the same time in 2005 … with JL getting a slightly earlier release in January.Īnd spoiler alert … ALL of these songs were produced by Harrison, so of course they sound alike! Everybody was dipping their toe into the RH pool here.Īs for who did what first - between Bey, J and Amerie, that is - it would appear Beyonce was, in fact, the first of the 3 to trot out Harrison’s sound with ‘CIL’ (’03), even though KR might’ve arguably had it first with ’02’s “Can’t Nobody” - and perhaps others used it even before then. Fact is, he was making “go-go” beats for just about all them, and others in the game too … including Toni Braxton, Kelly Rowland and even Mary J. Harrison was a producer in the 2000s who was working a lot with Columbia Records - who had all these ladies under their roster in the early to mid-2000s. Norf Amaruca February 26, course, a proper timeline of events is necessary here to put things in context … as is an explanation of who the heck Rich Harrison is, because he’s at the center of all of this - and the main reason for the comparisons being made in the first place. Beyoncé snatched up her producer, Rich Harrison production & amerie’s writing style became the formula that made Beyoncé #1
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